Orange is the New Black, a Netflix series (originated in 2013), starts
by introducing its audience to the ‘white privileged’ protagonist, Piper
Chapman. Piper was sent to an all girls prison for 15 years for transporting
drug money to her ‘at-the-time’ drug trafficking girlfriend, Alex Vause. Throughout
this series, Piper, also known as ‘College’ learns the ins and outs of prison
from the diverse group of women that she is inevitably day-in and day-out
surrounded by. Progressively throughout each episode we see that Piper stands
out like a sore thumb amongst the others. As much as she tries laying low, her
outspoken comments and attitudes come off as the rich, high maintenance,
educated white girl that you don’t typically see in prison, ever. This
automatically puts a bright red target on Piper’s back from the beginning. In almost every episode, if not all, the
audience is exposed to OITNB’s wide range of culturally diverse characters who
come from distinctive cultural backgrounds and express strong opinions. Jenji
Kohan, the creator of the series, implements racial stereotypes that are both
reinforced from historical assumptions, simultaneously rejected through a new
light.
Within
the first episode, “Pilot”, both the
audience and Piper are introduced to the racial tension between the inmates. After
thanking her (white) inmate, Lorna, for the toothbrush, we see a little bit of
a shocking look in Piper’s face when she blatantly replies, “we take care of
our own here.” Lorna is quick to justify in front of the others that “it’s not
racists—its tribal.” The silent response from the other inmates suggests that
Lorna statement clearly rang true, which reinforces the powerful, yet obvious
division between the whites, blacks, Latina, and Asian women. Later in this
episode, “we take care of our own” ironically serves as a contradicting
statement when Red, the (white) cook, deliberately starves Piper for unintentionally
insulting her food, and torments Piper by serving her a bloody McTampon and
mold on her food.
Besides
the shocking and almost denying factor that the protagonist is a young, skinny,
good looking, privilege white girl in a “women in prison” series, initially
Piper tries to stay out of everyone way and not be around the chaotic drama,
but somehow the majority of the drama is revolved around her. It may be because
she stands out with her staring wide-eyes, and tense posture and we clearly can
tell Piper goes into a culture shock (I mean its prison, who wouldn’t). It
doesn’t help that she is oblivious to the cultural literacy because both the
inmates and the all white, masculine staff takes advantage and uses Piper as a
target. We see this multiple times throughout the series, although particularly
in season 1, episode 6, “WAC Pack.” In
this episode, multiple inmates flock through Mr. Healey’s office complaining about
a number of issues they are personally having and request for change. Mr.
Healey announces that they are going to have a Woman’s Advisory Counsel in
hopes to alleviate “their problems” but more ‘importantly’ so, his. The inmates
are limited to voting one person to represent each race (which is obviously set
up for failure, assuming as if you are the same race, you deal with the same
problems, right?) The inmates campaign against each other along racial lines
trying to get votes from people within their groups. During the crusade, stereotypes
are mainly reinforced by particular characters and groups in which highlights
the racial division and between “us” and “them.” For example, we are blatantly
confronted with stereotypes when we particularly look at Taystee’s character.
At the end of her spiel, she mentions the promises of “fried chicken up in
here” to persuade her vote to the WOC.
She also ridicules Sophia for actually engaging in real “white people’s” political issues, such as health care, “as if
anything is going to change around here”. Taystee and Poussey go on and mock
two stereotypical white women’s politics talking about healthcare, yoga, sushi,
aka “white girl problems.”
Ironically
what the inmates don’t know is that this council really doesn’t matter. It
doesn’t hold any power or authority; it just makes them think so. When the
names are announced from each group, Pipers name is called to represent the
whites, although she didn’t even run.
The inmates are taken back, and assume that Piper is kissing Mr. Healy’s ass
because “he is like her” (reinforcing
“we take care of our own”) or perhaps
“he likes her” and wants to give her
the accessibility. This episode raises the question if this portrays our real criminal system as a flawed concept
based on race and favoritism.
We
see many more slight mentions about the stereotypes and racial encounters
embedded in the series. For example, Red and Piper’s conversation when on the
hunt for the chicken. Red accuses, and madly confronts Piper for telling all
the “blackies” about the “seen chicken.” When Piper questions why it mattered,
“because black people like fried chicken?” Red sarcastically replies, “No…..its
because they like heroine…” Another example of a racial reference is when Taystee
is released from prison, but a couple episodes later, returns back because she
has no other place to go. She admits to her best friend that prison is the only
space that has been made for her in this world.
There are racial stereotypes about the Latino women as well. Diaz and her ‘hucci-mama’ both strive for the
attention and fight for the love of the white prison guard-- which eventually
ends up that Diaz gets pregnant by him. The show reinforces the stereotype
about Latinas having a babies at a young age (her mom did too), always being
pregnant (Diaz bunk-mate just had a baby) and having an older Latino mothers
expressing a young sex appeal of dressing slutty and going for younger men
(shown through their background story.)
Overall,
despite the negatives image stereotypes tend to have, I believe that the racial
actions and remarks that are incorporated into this show are extremely
necessary especially with such a diverse cast. This is what makes the show
relative to its audience and stimulates curious opinions on what other
culturally different people’s position is on matters.
I think the author of the show,
Kohan, tries to portray these inevitable, yet essential racial issues in a more
humorous demeanor and does her best by relating it to her audiences. Although
some take this humor in a more degrading factor, rather than empowering to
their culture. In Haley Cuccinello’s article, “Orange is the New Black, You are
What You Watch” I completely agree with her outlook on arguing Aura Bogado’s opinion
in the article titled, "White is the New White." She writes, "If
we’re addicted to Orange Is the New Black, then we’re strung out on the drug of
spectacle—jonesing for hateful, racist images created by a white imagination
for profit and fame." Cuccinello explains that “though this artistic
choice is less than sensitive, at times the humor allows the series to
acknowledge race and racial stereotypes in a refreshing way.”
That’s just it. If OITNB had a diverse cast
and racial stereotypes and conflicts wasn’t
brought up, there would still be
questions and criticisms as to why. I think that instead of automatically going
into the defense route of how ‘racist’ this show is, I think the bigger picture
here is that we’re all surrounded by it like it or not, and each of us is
different and have different standpoints, like it or not. In the last episode, Can’t Fix Crazy, (Spoil Alert), we see
that Piper isn’t left with any support, let alone anyone anymore. All of her
‘privileges’ were stripped and taken from her and she is now completely alone.
Even Mr. Healy didn’t care if she were to die right then and there infront of
him. We now see that these racial ‘line divisions’ is actually now turned into
an equal sign because the stereotype of ‘white, rich, blonde, girl’ cannot be
labeled as “privileged” anymore. This proves that anything can be taken from
you in a matter of seconds. Piper at one
point even previously admits to her mother that she is no different than anyone
else in the prison (whether or not that is true) but it is because she committed
a crime. Kohan does a really good job making Piper stand out as the protagonist
and knowingly shows the audience that she is
quiet different, although incorporates that the other characters are just
as important and are portrayed with admirable depth as well.
I
think by putting a Caucasian ‘privilege’ women as the main character doesn’t
make this show ‘racist’ but does intrigue its audience as to why a girl like Piper
is being charged with drug trafficking and sentenced to over a year in prison
especially after how her background portrays her as a good ‘innocent’ woman. I
think Kohan’s strategy works well because it not only reinforces stereotypes of
all races (white, blacks, Latinos, and Asians) it also rejects them as well—but
most importantly overall in a good light. This way everyone can both relate to the
diversity of characters and respectively be cognizant of others points of
view—This is a way the show grabs a variety of audience’s attention and should
be recognized with an open mind as to what the overall intent of racial matters whether reinforced or opposed to
general stereotypes.
Works Cited:
Claycom, Aaron.
"Orange Is the New Black S01E06-Recap 'WAC Pack'" SFN. N.p.,
28 July 2013. Web. 28 Feb. 2014.
<http://www.sofakingnews.com/orange-is-the-new-black-recap-wac-pack/>.
Cuccinello,
Hayley C. "Raising the Bars in "Orange Is the New Black." The
Harvard Crimson. The University Daily since 1873, 18 Sept. 2013. Web. 28
Feb. 2014.
<http://www.thecrimson.com/column/you-are-what-you-watch/article/2013/9/18/Raising_the_Bars_Orange_is_the_New_Black/>.
Gabrielle.
"Orange Is the New Black: 7 Things We Should Talk About |
Autostraddle." Autostraddle.p., 21 July 2013. Web. 28 Feb. 2014.
<http://www.autostraddle.com/orange-is-the-new-black-7-things-we-should-talk-about-186228/>.
""Orange
Is the New Black": A Netflix Original Series." - News. N.p.,
13 July 2013. Web. 28 Feb. 2014.
<http://www.bubblews.com/news/878228-quotorange-is-the-new-blackquot-a-netflix-original-series>.
Oliveira,
Antoney. "Notes from Maxwell's Demon." Notes from Maxwells Demon.
University of Toronto, 22 Aug. 2013. Web. 28 Feb. 2014.
<http://maxwellsdemoniac.wordpress.com/2013/08/22/a-hymn-to-taystee-on-racist-stereotypes-in-orange-is-the-new-black/>.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.